To Cast a Shadow - In Memory of: Escucha el disco entero

Invisible Oranges nos ofrece la posibilidad de escuchar desde hoy hasta el próximo día 20, dos días después de su salida a la venta, en su totalidad In Memory of, segundo disco de To Cast a Shadow.

To Cast a Shadow
In Memory of

01. Tormented
02. Morose
03. Nightfall
04. Oceans Apart
05. Betula
06. My Misery
07. When You Leave the Room
08. Set Afire
09. The Answer
10. In Memory Of



Escucha el disco aquí.

En su web oficial, ellos mismos nos ofrecen una "review" de todos los temas que componen el disco. A modo de ejemplo:

Tormented: This is a very different song, and a new side of TCAS. So we thought it might be fun to surprise a few people out there and start the new album with this (in a TCAS sense) extreme song. It started out with a couple of riffs that gave Kent the opportunity to really experiment on the drums, and there is even a blastbeat at 3:40. Not very typical TCAS stuff! We invited Hans Kristian Nørgaard to do some male vocals on this song, and he came up with a couple of lines that really lifted the song to another level, and it matched Gunnhild ‘s dark and hypnotizing voice. All in all a good song to illustrate some of the changes and progress we ‘ve had these last years. The intro to this song was created by Rikard Lofgren at Leonmusic, Sweden.

Morose: Kent surprised us all when he came up with this weird and creepy tune, based on a true story. It has a smooth, progressive rhythm that almost feels off-beat, and it matches the strange story told in the lyrics. Gunnhild returned to the studio to record another version of this song, and it resulted in a lot more presence. The tom-tom drums were fine-tuned and somewhat highlighted in the verses of this song, and the resounding attack of the birch drum shells is well displayed here. We recorded the guitars with a Fender strat, although a Gibson Explorer is used on some lead parts. At 2:05 you can hear me play my 20 year old beat-up, worn out acoustic guitar. In a strange way it has aged well, even though it belongs in a scrapheap. Gunnhild’s amazing operatic voice at 2:57 is worth noticing.

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